Motion Graphic - Project 1
06/09/21 - 26/09/21 (Week 3 - Week 5)
NG MEI YING (0340563)
NG MEI YING (0340563)
Motion Graphic & Compositing
Project 1: Compositing Sensibilities (20% Individual)
INSTRUCTION
πProject 1: Compositing Sensibilities
PART 1 - PRECOMP:
1. MOVEMENT (done)
2. HIERARCHY (done)
3. BALANCE (done)
4. DIRECTION (done)
5. SYMMETRY (Create your own keyframes)*
6. FOCUS (Create your own keyframes)*
7. SCALE (Create your own keyframes)*
8. RHYTHM (Create your own keyframes)*
The briefing (W3 - 09.09.2021)
1. MOVEMENT (done)
2. HIERARCHY (done)
3. BALANCE (done)
4. DIRECTION (done)
5. SYMMETRY (Create your own keyframes)*
6. FOCUS (Create your own keyframes)*
7. SCALE (Create your own keyframes)*
8. RHYTHM (Create your own keyframes)*
PART 2 - COMPOSITION:
1. Choose any PRECOMP (#01-#08) from PART 1 and drag it into COMPOSITION REMIX.
2. Create a composition for 16 sec.
The Working Process (W4 - 18.09.2021)
Part 1: AE Pre-Comp Recreate
To start with the project, I did some visual research from the website to get some inspiration for the motion graphic visual elements. Aside from that, I also did some brainstorming sketches to get a clearer visualization of the possible movement of the shape elements. During the visual designing process, I tried to ensure the rest of the composition could maintain a similar visual mass with the previous example given by the lecturer by giving limitations on using complicated shapes. I hope that I could make good use of the simple shapes to create something presentable.
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Fig 1.0 Pre-Comp 5. Symmetry editing (part 1) The concept behind this composition is using the four simple circles the main visual elements to create asymmetry motion art. |
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Fig 1.1 Pre-Comp 5. Symmetry editing (part 2) The circles will be going to move along the four corners to create a visual transition. |
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Fig 1.2 Pre-Comp 6. Focus editing (part 1) The concept behind this composition is to create a conceptual eye with a blooming pupil to create a centralized visual emphasis. |
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Fig 1.3 Pre-Comp 6. Focus editing (part 2) After finish creating the oval shape's rotation for the pupil, a moving dash line is added as a visual highlight. |
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Fig 1.4 Pre-Comp 7. Scale editing (part 1) The concept behind this composition is mainly utilizing several circular shapes in different scales. |
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Fig 1.5 Pre-Comp 7. Scale editing (part 2) The scaling transition effect is applied to all of the circles to conveys the concept of scale. |
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Fig 1.6 Pre-Comp 8. Rhythm editing (part 1) The concept behind this composition is using the oval shapes as the main visual element to create a moving rhythm. |
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Fig 1.7 Pre-Comp 8. Rhythm editing (part 2) Inconsistent scaling transition value is applied to the oval shapes. |
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Fig 1.8 Pre-Comp Composition & Export This is the composition of all motion clips into one frame. |
π (1st Version) Project 1 Video Link: https://youtu.be/9orfxWYMwmw
Part 2: Composition Remix
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Fig 2.0 Composition Remix using pre-comp video clips The process of compositing the pre-comp video #1: Direction |
π (2nd Version) Project 1 Video Link: https://youtu.be/Rlz9WSbp8gc
# Consultation Note:
- General: We should see the pre-comp as a catalogue, and match them together as a whole. We have to decide which pre-comp will be a transition, and which of them will be the centre visual. A complete reference guide is very important to decide the timing and content.
- Specific: The first part is good, but try to avoid the crashing and overlapping composition as it will give some negative space that looks like a mistake. Overall is fine, just need to fix some visual error and you have the compositing skill. Good job and keep it up.
# Reflection: It could be challenging for some reason that I tend to have a good idea for the composition, however, I may not able to meet my expectations due to the immature editing skills for after effect. On the other hand, I found the creation process as enjoyable as the composition seemed to work in an unexcepted way which gave me more encouragement and confidence for the upcoming task.
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